Organ from Norrfjarden (Sweden)

Norrfjarden Organ
                                                                                History
Norrfjärden is a locality situated in Piteå Municipality, Norrbotten County, Sweden with 1,362 inhabitants in 2019.


The instrument in Norrfjärden church is a modern replica of the organ that was built in the seventeenth century for the German church in Stockholm, by the organ builder Paulus Müller. The history of this organ started in 1609, when the parish council commissioned Müller an instrument with 21 stops and pedal. From 1638 to 1641 the German church was reconstructed and enlarged, and in 1647/1651 the organ was also expanded to a three-manual, 35 stop instrument, work done by George Herman. From the 1690s, the organ began to become obsolete. There were several attempts to maintain it but in 1748 the organ builder Olof Hedlund refused to make any further repairs and so in 1777 the organ was taken down and two years later sold to the parish of Övertorneå, close to the Finnish border. The organ was carried on barges to the north of Sweden and in 1780 the Hauptwerck and Oberwerck were erected in Övertorneå church. Soon the instrument had to be adapted to the necessities of the church in Övertorneå, and therefore the organ was retuned to a more equal temperament by Matthias Swahlberg. The sub‐semitones D sharp/E flat were removed. A new case was also built to accommodate the lower ceiling in Övertorneå. The Rückpositiv became an organ for its own, in the nearby parish of Hietaniemi. The pedal seems to have disappeared entirely. In 1934 the Övertorneå organ was taken out of use and a new organ was built behind the old façade. In 1969‐71 the old organ was put back into working order, this time by Grönlunds orgelbyggeri. The latest restoration was done in 1997‐9 returning the instrument to its original state of 1780. The pedal has been newly built, according to research, following the aesthetic and construction principles of the early times. The organ in Norrfjärden was built by Grönlunds orgelbyggeri between 1993‐97.

The idea behind the project started in 1989, when Hans‐Ola Ericsson, installed at the time as professor at the School of Music in Piteå, submitted to the county governor a number of projects which would stimulate cultural activity in Norrbotten. The project proposal was divided into three parts: the first suggested a scientific documentation of the 17th century organ in Övertorneå, and the preserved 17th century material in Hedenäset; the second part was the reconstruction of the organ, of its 17th century appearance and sound from its sojourn in the German church in Stockholm, placed in the church in Norrfjärden, outside Piteå; the third proposal was the restoration of the organ in Övertorneå. The total budget for the project was 9 million Swedish krona.

The organ is tuned in meantone temperament, at a pitch of approximately a’= 467 Hz. It has a short octave in the bass where also F sharp and G sharp can be played on the raised back half of manual split keys. All the manuals and pedal have the subsemitone E flat/D sharp in every octave. Another identical copy was made and it is now placed back home, in the German church in Stockholm.

The organ was recorded by Lars Palo in 2011. He also created the sound sample in grandorgue format, which He released in 2023. The GO sound sample can be freely downloaded from Lars Palo's website. At the suggestion of my French organist friend, Dominique Dantand, and with the permission of Lars Palo, I created the Hauptwerk format of the sample. The following friends helped me to make and publish the sample set (in alphabetical order): Dominique Dantand, Gerard Lefranc, Nagy Istvan and Jean-Pierre Silvestre. If something's done well, it's thanks to them. Thank you for their work.

Features
Sample quality 
The recording and the Grandorgue and HWE format sample were made 44.1kHz/24 bit stereo format, multiple loops (1-8) and multiple releases (3 levels).
Equal, a=468 Hz and the recommended temperament file is attached. The sample sets made ​​in original semidry.
Hauptwerk v4.2 and v5-8 supported for the Organ Definition Files. When using version Hauptwerk v5-8, it is recommended to use an IR file for a little reverberation.
The install file of the HW version that can be downloaded from my website also contains the Grandorgue ODF created by Lars Palo, so the installed sound sample can be used not only with the HW app, but also with the GO app (in this case with Lars Palo's original graphics and settings)

Keyboards, Pedal 
The virtual organ compass of the manuals are 49 keys, the compass of the pedal is 30 keys. 

RAM requirements (GB)

2 channels sztereo

 

16 bit

24 bit

Norrfjarden

6

8

The data is for information only. They depend on the operating system and other apps.
Specifications  

Pedal  30 keys

Underbass 16', Gedacktenbass 8’, Octavbass 4,

Posaunenbass 16’, Trompeten bass 8’, Dulcianbass 8’

Cornetten bass 4’

I. Manual - Rückpositief 49 keys

Flött 8’, Principal 4’, Flött 4’, Superoctave 2’, Waltflött 2’

Sesqualtra 2f, Cimball 3,

Dulcian 16’, Krumbhorn 8’, Geigen Regal 4’

II. Manual - Hauptwerck  49 keys

Quintadena 16’, Principal 8’, Gedacktflött 8’, Gr.Spiellflött 8’

Octava 4’, Spitzflött 4’, Quinta 3’, Superoctave 2’, Mixtur 6f

Dussanen 16’, Trompeten 8’, Regall 8’

III. Manual - Oberwerck  49 keys

Quintadena 8’, Zappfött 4’, Nasat 3’, Octave 2’, Spitzquinten 1 ½’

Zimbelll 2f,  Schallmeijen 8’

Extras: Stern, Vogel

Couplers

I/P, II/P, III/P, II/I, III/I, III/II, I/II

Tremulant

I, III

Screenshots

Audio demos

Playing Dominique Dantand, Nagy István, Andor Pecze, Jean-Pierre Silvestre and "mckinndl" from Contrebombarde.com
Free download the full sample set!
and install the sample that can be used with Hauptwerk v4.2 or Hauptverk 5-8. 
After installation, you can use the full sample without any restrictions. 
If you like the sample, support my work with some money or upload audio demos to contrebombarde.com. 

Comment
The Hauptwerk version is simpler than the original GO version. This means that the lower octave is also complete, and there is no difference between D sharp and E flat, 
so D sharp = E flat. If you want to play with a short lower octave, you can set the Baroque shortened octave keyboard in Menu/Organ settings/organ preferences. 
Since D sharp = E flat, certain works will sound very false with the meantone temperament. If you notice this, then use another baroque temperament that is closer to the equal temperament.