
Special thanks to Gérard Lefranc who continually supported my work and effective assistance provided to all phases of making of sample set. The artistic audio demos were created by Dominique Dantand and István Nagy. The photos were made by Jean Marc Noyelle.
The sample was made in two separate versions (original and extended).
Each version can be used in three formats:
a.b. Two channels stereo of wet and semidry
c. A Surround version (3 pairs of stereo recording: close (near); at distance (far) and in the background (rear).
In the surround version you can adjust the perspective by setting the volume of the near, far and rear recordings. (Suitable HW loading and channel settings can be used to give wet or semidry stereo modes or 4 channel surround mode too).
The sample set reverb is 4-5 s reflecting the original acoustics of the church.
Hauptwerk v4.2 or v5-9 supported for the Organ Definition Files.
The compass of the manuals of the original version are 45 keys, the extended version are 51 keys.
The compass of the pedal of the original version are is 19 keys, the extended version are 27 keys.
The lower octave of the original version is shortened octave. The lower octave of the extendedend version is normal.
|
RAM requirements (GB) |
stereo |
surround |
|
Original |
0.8 |
1.3 |
|
Extended |
2 |
4.4 |
|
Original sample set |
Extended sample set |
|
Pedal 19 keys There are no separate registers. |
Pedal 27 key Principale 8', Bass 8', Quint 5 1/3', Ottava 4' Vox Umana 2' |
|
Great 45 keys Principale (bassi/soprani) 8', Ottava 4', Quinta decima 2' Decima nona 1 2/3', Vigesima seconda 1' Vox Umana (soprani) 8' Flauto VIII (bassi/soprani) 4', Flauto XII (soprani) 2 2/3' |
Great 51 keys Same. |
|
Positive Is not. |
Positive 51 keys Principale 8', Flauto 4', Nasat 2 2/3’, Quinta decima 2' Fiffaro 8 |
|
Couplers Permanent I-P Tremulant - |
Couplers I-P, II-P, I sub, I super, II sub, II super, II-I, I-II Tremulant I, II |
All expansion are only the organ own sound files!
